Nord Stage 4 review: Ultimate beast for professionals

In this review, I’m looking at the latest stage piano from Nord, the Nord Stage 4. I’m focusing on the 88-key version, but it’s also available in two smaller 73-key models.

The Nord Stage, in all its forms, has long been one of the most popular choices for professional musicians. I’ll break down what the Nord Stage 4 has to offer to find out if it lives up to its illustrious predecessors.

Nord Stage 4 review
Image by Nord

Final verdict 4.9

I’m not the biggest Nord fan in the world, and much of that stems from the price, which I think is a little relatively absurd. However, if I didn’t know the price, I’d be focusing on the fact it’s an amazing stage piano for professional musicians. And it’s better than the Stage 3, so I have to give Nord credit for not quitting while ahead and continuing to innovate.

What I like

  • Amazing sound quality.
  • Robust build quality.
  • Enhanced sample memory.
  • Per layer effects.
  • Physical drawbars.
  • Upgraded workflow.
  • World-class effects.

What I don’t like

  • Very expensive.
  • Waterfall keys feel cheap (Compact model only).

Why you should trust this review

James Michael Nugent

I’m a pianist, composer, and music educator with over 25 years of experience in the industry.

As a professional pianist, I’ve played and tested everything from a Bösendorfer Imperial concert grand piano to budget-friendly beginner keyboards.

Contents

Use these jump links to navigate to the desired section of the review.

Sound quality 4.9

Nord Stage pianos have always sounded fantastic, so I’d expect nothing less from the latest model.

The Nord Stage 4 has a broader selection of instruments, so you have more sounds to choose from than ever before. The sound of the Nord Stage 4 is still rooted in the three-engine format, Organ, Piano, and Synth, but there are multiple upgrades across the board.

Starting with the organs, which were already fantastic, there’s a new B3 bass mode and Model 122 Vintage Rotary Speaker modeling with various mic positions. The already amazing B3 and Farfisa organ sounds are now even more authentic, and if you play gospel, jazz, or rock, you won’t find much better.

Nord Stage 4 organ and piano sections
Image by Nord

Similarly, Nord piano sounds are always amongst the best around, and they still are, but this is where I disagree with some Nord purists. I think the grand pianos, uprights, and felt pianos all sound amazing. However, I think they should absolutely blow the competition away, considering the price, and they don’t do that.

Nord Stage 4 synth section
Image by Nord

The synth sounds come from the Wave 2 Synth Engine, and they sound incredible. It’s virtual analog and FM synthesis at its best. The architecture of the synth section has changed slightly since the Stage 3, and some default patches might sound slightly different because some filter, detune, and EQ settings are now different. The lead and polysynth sounds, in particular, are beautiful.

120-note max polyphony (46 for synth).

Keyboard feel 4.7

There are three versions of the Nord Stage 4:

  • Nord Stage 4 88 – 88 triple-sensor graded hammer-action keys.
  • Nord Stage 4 73 – 73 triple-sensor graded hammer-action keys.
  • Nord Stage 4 Compact – 73 keys, triple-sensor waterfall keyboard.

I’ve never thought that Nord’s hammer-action keys were as responsive and nice to play as some offerings from Roland, Yamaha, and Kawai, but I’m probably in the minority with that opinion.

If I put that to one side and focus just on the Nord, they are, even in my opinion, very good, not too light, and make you feel like you have to work for it.

I’m far more comfortable in saying that I don’t like the new waterfall keyboard. After trying it, I left with the impression that you’d get used to it, and it would be OK, but something about it felt cheap, and at this price, it really shouldn’t.

Anyone considering a Nord Stage 4 should make your decision easier by answering one simple question, will you play piano sounds or synths and organs most?

If it’s piano sounds, you’ll need the weighted keys, but if it’s synths and organs, even though I don’t like the waterfall keyboard, go for the Compact because it’s significantly cheaper.

For those of you looking for the most authentic weight and feel available in a stage piano, be sure to check out my updated selection of the best weighted keyboards.

Features 4.9

Nod keyboards all look very similar, and at a glance, it can be difficult to see what’s new, but the Nord Stage 4 comes with a few nifty features.

New panel design

In many ways, the top panel looks the same as before, with the three sound engines laid out independently. But one of the biggest differences is that each engine now offers complete control over each layer, which opens up a world of potential.

Previously, the organ and piano engines offered two layers (A/B), and the synth engine offered three (A/B/C). You now have a button per layer, per engine, to switch quickly between layers and make hands-on adjustments with the physical controls.

Aftertouch

You’ll never want to go back once you get used to a keyboard with aftertouch, especially on organs (when you can use it for swells) and synths.

Effects section

Nord Stage keyboards always have some great built-in effects, but this time around, thanks to the new architecture, you add effects per layer.

Nord Stage 4 layer effects
Image by Nord

Previous models only allowed you to add a blanket effect per engine, but now that you can add effects per layer, it takes the sound design capabilities to a new level.

Presets

So, not a new feature as such, but it’s worth mentioning that you can now search presets per engine, which makes finding the right sound quicker and easier. There are 512 programs across eight banks.

Dual OLED displays

The Nord Stage 4 retains the two OLED displays present on previous models. One for the main program section and another dedicated to the synth section. They make for a much smoother workflow.

Physical drawbars

As a Vox Continental re-issue user, I’ve no problem with virtual drawbars, but I have to admit, nothing beats the real thing, and these are a perfect addition to the Nord Stage 4.

Expanded sample memory

The 2 GB sample memory from the Nord Stage 3 has been doubled, so you can add more sounds from external sources with greater fidelity.

Seamless transitions

This feature is not exclusive to the Nord Stage, but it’s a must-have for anyone who changes sounds during a performance. It lets you switch to a new sound without abruptly cutting off the first sound.

Advanced arpeggiator features

The arpeggiator has been updated with new gate, polyphonic, and pattern modes. Polyphonic mode is a game-changer for anyone who likes to build tracks with an arpeggiator.

In use 4.9

I have to say the same as I always say about Nord keyboards: to a newbie, they might look a little intimidating, but they are actually very easy to navigate with a little practice.

The Nord Stage 4 takes what the previous model had and makes it even easier to use. The newly updated panel with selectable layers and physical drawbars is a joy to use on stage or in the studio.

Build quality 4.9

If there’s one thing that never changes about Nord products, it’s the build quality, well, that and the color. The familiar metal chassis and real wood side panels are back and going nowhere. It’s as robust as it gets.

Connectivity 4.8

Starting with the audio ins/outs, you’ve got a single 1/8-inch audio input and two 1/4-inch audio outputs. In addition, it provides MIDI in/out via 5-pin MIDI and USB.

Regarding expression, you are more than good to go with five pedal inputs, including sustain, foot switch, control, organ swell, and a 6-pin triple pedal input.

Compared to others

The Nord Stage 4 is undoubtedly one of the best keyboards in its class. But here are a few popular alternatives to this red beast.

Nord Stage 4 vs Nord Stage 3

I added the Nord Stage 3 for anyone considering an upgrade. I think the Nord Stage 4 is better, but I wouldn’t upgrade unless you can recoup a reasonable price for your old model. Read the full review

Nord Stage 4 vs Nord Piano 5

If you want a Nord but can’t stretch to the Stage 4, the Nord Piano 5 is a solid option with fewer features. Read the full review

Nord Stage 4 vs Yamaha CK88

The CK88 is significantly cheaper, and it offers an entirely hands-on workflow and awesome sounds in a lightweight package, making it an ideal performer’s keyboard. Read the full review

Who is the Nord Stage 4 best suited for?

The Nord Stage 4 is for professionals who can make it worth the investment.

Join the discussion

7 comments
    • Hi Michael! The Nord Stage 4 has some great cinematic/orchestral patches, some hybrid (almost like Tron Strings), and some more traditional ones, ideal for Pop or media scoring. The quality is very high, but like any orchestral sample, the difficulty is in playing with authentic articulation, etc. If it’s a priority, there are far cheaper ways to get great string sounds, but if you’re already set on Stage 4, they are excellent. Remember, you can download additional libraries for free from Nord, like Symphobia Strings by ProjectSAM, which is outstanding.

      • If you purely after authentic orchestral sounds, I would steer towards a Yamaha Montage or even Genos. Whilst Nord’s sample engine will enable you to add any samples you like, and the free library offers some decent string sounds (including a new quartet from Spitfire Audio), there’s no ability to incorporate layered articulations and sample switching unless you do some hard work with the 3 layers. Nord is best at classic keyboard sounds, pianos, organs and pads (the Stage’s synth is really nice to use), but probably steer towards plugins on your computer or a Yamaha workstation for better orchestral stuff.

  • Do you have a recommendation for speakers/monitors for the NS4? For home practice/band prac and small outdoor gigs?
    An all-rounder preferred and something that won’t break the budget ????????????????????

    • Hi Katie! There are a lot of variables, depending on how you want to set up and the type of small gig (how loud you have to be to compete with bandmates).

      Running directly into studio monitors is possible, although not typically ideal (the NS4 has unbalanced outputs), and you have less control without a mixer. If you want speakers that are ideal for music production and practice/small gigs, and you plan to use a small mixer (as some keyboardists do), I use Yamaha HS7 for home practice and love them. At the entry level, the Presonus Eris speakers are incredible value for money, and IK Multimedia’s iLoud Micro Monitors are great for keyboards.

      It’s tricky to get something perfect for all scenarios – a cheap PA system might be good for gigs and rehearsals but not great at home. In your position, I’d be tempted to go for a decent keyboard amp, a basic Roland KC, or a cheaper Behringer K450FX (it could be less hassle than other options). You’d get some of the control of a mixer, enough volume for smaller gigs, not too intrusive at home, and they are built for a hard life going from place to place.